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Chapter 11 - Mara’s Letters

There were forty-two documented communications over six years.

Not all emotional letters.

Some administrative.

Paternity offer.

Medical history request.

Birth announcement.

Photographs.

Birthday cards.

School update.

Request for direct contact.

Request for address confirmation.

Courier receipts showed thirty-eight reached Ashford-controlled premises or registered agents.

Four were returned before delivery.

How many did Lucasta personally intercept?

Investigation confirmed thirty-one.

Others were routed to an assistant working under her instructions.

Did the assistants know?

Mostly no.

The standing note:

ELLISON correspondence — privileged family matter; route to L. Wynn.

That looked legitimate.

One assistant asked once:

“Should Mr. Ashford be copied?”

Lucasta replied:

“No. Corvin has instructed no direct exposure.”

False.

The assistant kept the email.

That saved her.

No discipline.

Another employee noticed birthday cards.

Asked:

“Is this about a child?”

Lucasta said:

“Do not speculate on principals’ private matters.”

Technically professional language.

The employee stopped.

Again:

Hierarchy does part of concealment without everyone becoming conspirator.

Mara’s most painful letter came when Tamsin was four.

Corvin,

She asked today whether you have her picture.

I told her I sent you one when she was born.

Please tell me whether that was a lie.

I never saw it.

Then at five:

Tamsin wants to know if she is allowed to send you something herself.

She drew a hotel because I told her you own them.

I don’t know how to answer anymore.

Lucasta kept the drawing too.

Elaine Foster found it in a locked archive cabinet at Ashford Heritage Services.

A hotel.

Blue crayon.

Four windows.

A stick figure with black hair labeled C.

A smaller figure labeled T.

I sat in Elaine’s office staring at it.

“Can I take this?”

“After evidence processing.”

Of course.

When returned, I asked Mara what she wanted.

“It’s Tamsin’s.”

We asked her.

She shrugged.

“Old.”

At six, five-year-old art is ancient history.

She put it in a folder.

Not framed.

I wanted to frame it.

May you like

My guilt did not make it mine.

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